Saturday, May 23, 2009
These Are the Secrets of Death We Teach: Vengeance, Mortality
& the Multiverse in Grant Morrison's Batman
Serialized beginning in 2006, this three-volume-and-counting story in which Grant Morrison (best known as the author of the groundbreaking, outre', “Invisibles” & "Doom Patrol" titles in the 80's & 90's) reinvents Batman for the 21st Century. Morrison has assembled his tale as a ‘psychedelic noir’ drawing on the entirety of the written history of the character, as though it were the chronicle of the extraordinary (and bizarre!) life of one man:
Link to DC Comics: "Batman & Son" - Grant Morrison's Batman Vol.1
Link to DC Comics: "Batman: The Black Glove" - Grant Morrison's Batman Vol.2
Link to DC Comics: "Batman R.I.P." - Grant Morrison's Batman Vol.3
SPOILERS - SPOILERS - That said, and warning given, volume one begins with three errant cops masquerading as Batman 'haunting' Bruce Wayne as his potential replacements, coinciding with these events the epiphany of Bruce Wayne's son, Damian, is revealed by/with the daughter of his arch-nemesis Ras Al-Ghul of the League of Assassins. All of this spun as a James Bond-esque world-trotting adventure. Volume two entangles the Caped Crusaderin a series of ominous mysteries as the ultimate villain The Black Glove, who orchestrated both the recruitment of the Batman 'replacements' from within Gotham Police Department as well as a scheme from decades past. In which the they employed one Dr. Simon Hurt in a series of sensory deprivation experiments that Wayne underwent in the 1960's. Unbeknownst to Wayne, now years later, these were designed to implant the subconscious seeds of the Black Glove's plan to exploit the deepest secrets of his personal history, make him doubt his mission, question his sanity and ultimately in volume three… bring about his demise.
We also find in volume three, that possibly in anticipation of the Black Glove's threat, Wayne has sensed that his own mortality is in question and begun a deeper psychological/spiritual pursuit of his understanding of "Death, After-death and Reincarnation" through the 49 day meditation ritual of Thogal, in the isolated Tibetan monastery known as Nanda Parbat. What we the reader don't see forthcoming at this point in the tale, is that this threat to his existence doesn't come in the form of mortal men, or even the material plane, but instead the New God of anti-life, submission, dominance and despair by the name of Darkseid. Batman's confrontation with this cosmic force is told in Morrison's simultaneously released, time traveling, theoretical cosmology spanning, DC Universe-encompassing meta-narrative title, "Final Crisis":
Link to DC Comics: "Final Crisis" - Deluxe Edition
Link to DC Comics: "Jack Kirby's 4th World Omnibus - Vol.1"
Link to DC Comics: "Jack Kirby's 4th World Omnibus - Vol.2"
Link to DC Comics: "Jack Kirby's 4th World Omnibus - Vol.3"
Link to DC Comics: "Jack Kirby's 4th World Omnibus - Vol.4"
Catch all of that? As if all of that wasn't enough densely layered detective mystery, crime thriller, existential horror and consciousness riddling cosmic space-epic for 24 issues of a monthly comic, there's also Morrison's penchant for random surrealism, oblique, strictly visual references and seeming (at the time) confounding non-sequitur. Which more often than not, are later revealed to be foreshadowing of the larger overarching narrative concerns of mortality, consciousness, memory and identity. So now we're up to speed?? And just in time!
Link to DC Comics: "Batman & Robin" - Grant Morrison's Batman Vol.4
This coming June sees the beginnings of volume four, serialized as the new ongoing monthly "Batman & Robin". Right-off continuing the various threads of the previous books, retroactively giving perspective not only to the Black Glove and Damian Wayne stories, but through "Final Crisis" also entwining the mythos of Batman into the legendary creations of Jack Kirby's "4th World" hierarchy of comic deities and cosmic folklore. What has become of Bruce Wayne? In his awareness of mortality has he prepared himself for disembodiment ...and eventual reincarnation? Possibly to return as a different man altogether? Leading finally, to that ultimate of questions; what becomes of the mind after the death of the body? As the delirium induced hallucination(?) of 5th Dimensional entity Bat-Mite informs Bruce Wayne midway into issue #674 of the second volume: "These are the secrets of death we teach. We came all the way from Space B at the Fivefold Expansion of Zrfff to prepare your Passage." ...But considering the extra-dimensional nature of his guide, passage to where? And when? And what? Indeed! Mysteries abound!
Link to Publishers Weekly Grant Morrison "Batman R.I.P." launch interview
Link to Village Voice "Batman R.I.P" article
Link to Newsarama Grant Morrison "Batman & Robin" launch interview
Link to IGN's Grant Morrison "Batman & Robin" interview
Sunday, May 10, 2009
Seattle International Film Festival : May 21 - June 14
Link to Seattle International Film Festival site
Yes! Its that time of the year again. Amazing that this little town of ours has one of the largest film festivals in the whole
of usamerica. In fact, the largest in *North America* for that matter! Schedule was released online May 8 and ticketbooth opens for sales May 9 to the general public. Make sure to get on it in advance if there are specific films you dont want to miss, as the week(s) leading up to the festival can be rather insane and films can sell out within days of going on sale.
:: Some of What I Intend on Cacthing in This Years Fest ::
--------------------------------------------------
Friday, May 22
--------------------------------------------------
4:30 PM - Olivier (Will He Suck As Much This Time?) Assayas "Summer Hours"
SIFF Cinema
HOUR2209M
http://www.siff.net/festival/film/detail.aspx?id=28770&FID=123
--------------------------------------------------
Friday, May 22
--------------------------------------------------
9:30 PM - Esther Rots "Can Go Through Skin"
Pacific Place Cinema
CANG2209A
http://www.siff.net/festival/film/detail.aspx?id=29007&FID=123
--------------------------------------------------
Saturday, May 23
--------------------------------------------------
11:00 AM - Andy Bichlbaum "The Yes Men Fix the World"
Neptune Theatre
YESM2309M
http://www.siff.net/festival/film/detail.aspx?id=28926&FID=123
--------------------------------------------------
Saturday, May 23
--------------------------------------------------
7:00 PM - Hirokazu Kore-eda "Still Walking"
Harvard Exit
STIL2309A
http://www.siff.net/festival/film/detail.aspx?id=28802&FID=123
--------------------------------------------------
Saturday, May 23
--------------------------------------------------
12:00 AM - Tommy Wirkola "Dead Snow"
Egyptian Theatre
DEAD2309A
http://www.siff.net/festival/film/detail.aspx?id=28867&FID=123
--------------------------------------------------
Sunday, May 24
--------------------------------------------------
1:15 PM - So Yong Kim "Treeless Mountain"
Pacific Place Cinema
MOUN2409A
http://www.siff.net/festival/film/detail.aspx?id=28815&FID=123
--------------------------------------------------
Sunday, May 24
--------------------------------------------------
6:45 PM - Sergey Dvortsevoy "Tulpan"
Pacific Place Cinema
TULP2409A
http://www.siff.net/festival/film/detail.aspx?id=28784&FID=123
--------------------------------------------------
Monday, May 25
--------------------------------------------------
11:00 AM - Ondi Timoner "We Live in Public"
Egyptian Theatre
WELI2509M
http://www.siff.net/festival/film/detail.aspx?id=28899&FID=123
--------------------------------------------------
Tuesday, May 26
--------------------------------------------------
7:00 PM - Duncan Jones "Moon"
Egyptian Theatre
MOON2609A
http://www.siff.net/festival/film/detail.aspx?id=28916&FID=123
--------------------------------------------------
Tuesday, May 26
--------------------------------------------------
7:00 PM - Lee Anne Schmitt "California Company Town"
Northwest Film Forum
CALI2609A
http://www.siff.net/festival/film/detail.aspx?id=28852&FID=123
--------------------------------------------------
Wednesday, May 27
--------------------------------------------------
7:00 PM - Peter Greenaway "Rembrandt’s J’Accuse"
SIFF Cinema
REMB2709A
http://www.siff.net/festival/film/detail.aspx?id=28851&FID=123
--------------------------------------------------
Wednesday, May 27
--------------------------------------------------
9:15 PM - Catherine Breillat "Bluebeard"
SIFF Cinema
BLUE2709A
http://www.siff.net/festival/film/detail.aspx?id=28984&FID=123
--------------------------------------------------
Thursday, May 28
--------------------------------------------------
7:00 PM - Carlos Reygadas/Various "Short in the Dark"
Northwest Film Forum
SHOR2809A
http://www.siff.net/festival/film/detail.aspx?id=29116&FID=123
--------------------------------------------------
Friday, May 29
--------------------------------------------------
7:00 PM - Lucrecia Martel "The Headless Woman"
Harvard Exit
HEAD2909A
http://www.siff.net/festival/film/detail.aspx?id=28787&FID=123
--------------------------------------------------
Wednesday, June 03
--------------------------------------------------
6:45 PM - Yoji Yamada "Kabei"
SIFF Cinema
KABE0309A
http://www.siff.net/festival/film/detail.aspx?id=28767&FID=123
--------------------------------------------------
Thursday, June 04
--------------------------------------------------
9:30 PM - Kanji Nakajima "The Clone Returns Home"
Uptown Cinema
CLON0409A
http://www.siff.net/festival/film/detail.aspx?id=28910&FID=123
--------------------------------------------------
Friday, June 05
--------------------------------------------------
9:30 PM - Marcel Sarmiento/Gadi Harel "Deadgirl"
Kirkland Performance Center
DEDG0509A
http://www.siff.net/festival/film/detail.aspx?id=28875&FID=123
--------------------------------------------------
Saturday, June 6
--------------------------------------------------
9:30 PM - Guillermo Arriaga "Burning Plain"
Egyptian Theatre
BURN1409A
http://www.siff.net/festival/film/detail.aspx?id=28811&FID=123
--------------------------------------------------
Saturday, June 13
--------------------------------------------------
3:00 PM - Chen Kaige "Forever Enthralled"
Cinerama
ENTH1309A
http://www.siff.net/festival/film/detail.aspx?id=28945&FID=123
--------------------------------------------------
Saturday, June 13
--------------------------------------------------
9:15 PM - Paolo Sorrentino "Il Divo"
Cinerama
ILDI1309A
http://www.siff.net/festival/film/detail.aspx?id=28781&FID=123
Sunday, May 3, 2009
Mutek Electronic Music Festival : May 27 - 31 : Montreal
Its approaching Mutek time again! Not only that, but this year marks the 10th anniversary
of the festival (yes, it's been a decade since the first venture in Montreal) for this now world
-renowned electronic media and arts festival:
Link to Mutek Festival Lineup site
Rather than go on and get all wordy, Im just going to condense this one down to a shortlist.
Inspired anticipation for these artists this time around!:
Ryoji Ikeda
GAS
Carsten Nicolai
SND
Byetone
Deadbeat
Moderat
Ghislain Poirier
Appleblim
Raster-Noton label Showcase
Highligh this year being the A/Visions Showcase aspect of the festival featuring advanced
intersections of sound and video medias:
Link to Mutek Festival A/Visions site
Labels:
Byetone,
Carsten Nicolai,
GAS,
Mutek Festival,
Raster-Noton,
SND
Sunday, April 19, 2009
Earshot Jazz presents Peter Brötzmann Trio and Mats Gustafsson's
The Thing at Cornish College : Apr 28 - 30
Earshot Jazz Festival brings to town two performances this week as a double-strike of the world's most
intense purveyors in destructed improv skronk / free jazz. The godfather of blasting post-post-bebop punk
-informed sax destruction Peter Brötzmann on Tues April 28 *and* Norway's Mats Gustafsson w/ The Thing
delivering sweltering blistering blasts of HEAVY metal, rock and punk saturated improv on Thurs the 30th:
Link to Smalltown Superjazz Label site
Link to Earshot Jazz Festival Spring Concert Series site
Sunday, March 1, 2009
New films by Carlos Reygadas, Steve McQueen, Kiyoshi Kurosawa
and Jia Zhang-Ke at NWFF : Mar 27 - May 8
Northwest Film Forum once again brings the cinema to Seattle that none other than the SIFF
festival will touch. Ironically, the cinema we're talking about here is the Cannes Jury Prize
winner from 2007 (in the form of the Reygadas), the newest from Japanese Horror maestro
Kiyoshi Kurosawa, the 2008 Cannes award winner for 'Camera d'Or' (in the form of the Mc
Queen) and the newest from the youngest winner of the Golden Lion at the Venice Film
Festival (that would be Jia Zhang-Ke). Considering this, you see the kind of quality and
globally considered film they've gotten their hands on for the spring schedule! Again, this
is all work of a progressive nature that outside of the festival circuit, we generally wouldn't
have a opportunity to see. All of which has yet to be released domestically on DVD. That
said, onto the films!:
Link to Northwest Film Forum's "Silent Light" site
From the very (six minute, dialog-less) opening shot, you know you're in for something special
with this one. Centered around the daily rituals (and marital struggle of a husband and wife) in
a family of the Mennonite community in Northern Mexico, the film is overtly religious in ways
beyond just the subject matter, but in no way set off my 'God Morality Alarm', (which is a kind
of 'miracle' of sorts in itself). It's of the sort of New Global Cinema that sets personal drama to
massive, startlingly beautiful landscapes and makes a statement about society/nature/man/
existence delivered as more than just a well-put-together aesthetic gesture. This Cannes Jury
Prize winner from 2007 weighs in pretty heavily on the 'miraculous' with it's reference to Dreyer's
"Ordet" at the end, but is still unlike any other experience to be had in the cinema this year.
Link to Northwest Film Forum's "Tokyo Sonata" site
Departing from the psychological horror that he's built his filmography on, Kiyoshi Kurosawa
delivers a strange, genre-defying meditation on urban alienation and the disintegrating family
in modern Japan. Mixing in some gestures almost direct from the narrative vocabulary of novelist
Haruki Murakami, along with his own typical idiosyncrasies (dilapidated architecture, growing
psychic and physical distances between people), he manages to produce his most mature,
complex and 'adult' work to date.
Link to Northwest Film Forum's "Hunger" site
Visual artist Steve McQueen addresses the IRA hunger strikes at Northern Ireland Prison
in 1981, made that much more notable by the death of Bobby Sands. Reports from Cannes
suggest this is a Sokurov-style minimalist tale told from an unflinching perspective and
delivered (no big surprise considering the director's history) with a strong eye for space,
texture and light. Won the Camera d'Or (best first feature) at Cannes.
Link to Northwest Film Forum's "24 City" site
Called 'China's greatest living filmmaker' by the New York Times, Jia Zhang-Ke is back
with more cinematic investigations of contemporary China's split-personality rift between
their People's Republic history and the fast encroaching boom of Global Capitalism. A
precarious rift that threatens to allow much of China's populace to fall between the massive
cracks developing in the divide between newly forming economic classes. Choosing to mix
documentary with dramatic re-creation the film is grounded by interviews with real factory
workers and performances by three of the country’s most recognized actors in independent
cinema (Joan Chen, Lu Liping, Zhao Tao). It's fantastic that Jia has been making these films
going on a nearly 15 years now, while not only garnering massive recognition in the global
festival circuit, but also that he has yet to face imprisonment or being banned altogether from
making cinema (as some of his contemporaries have; Lou Ye and "Summer Palace" comes to
mind), contributes to not only the anomalous, but 'important' nature of his work: somehow
riding the balance between social criticism and depicting the beauty, complexity and richness
of Chinese life and what's currently at risk in their modern gamble.
Saturday, February 21, 2009
Matteo Garrone's new film "Gomorra" at Landmark
Theatres : Feb 27 - Mar 26
Matteo Garrone's film is an adaptation of the book by Roberto Saviano of the same name
- that not only won Saviono significant literary praise, but lifelong Police protection... if that
says anything. Reports from Cannes is that the film completely stripped away Hollywood's
fixation with the glamour and romanticism of organized crime in Italy, showing instead the
depth of its reach into the lives of the populace and the extent of its corruption of everything
from the exploitative sweatshop clothing industry, to everyday politics to 'waste disposal'.
Making it the Grand Prix winner at Cannes this past year.
Link to Landmark Theatres "Gomorra" site
Nuri Bilge Ceylan's new film "Three Monkeys" at Landmark
Theatres : Feb 20 - Mar 19
Turkish director Nuri Bilge Ceylan's newest looks to expand both on the style and timbre
of "Uzak" and "Climates", his previous two films, which were gorgeous slow-burning,
balancing acts of alienation and the hushed quest for understanding in crumbling social/
emotional relationships. All of his work is heavy on the atmosphere, either through the
amount of screen time given to the meticulously selected landscapes, or the use of digital
filters and saturation creating that 'timbre' mentioned above. "Three Monkeys", looks to
be a good bit more heavy on both the gloom and suspense, while adding the element of
the supernatural to the already heady drama of a family's guilt, responsibility and
comprehension of mortality in their grappling with life after the death of a child.
Link to Landmark Theatres "Three Monkeys" site
Saturday, February 14, 2009
Money Will Ruin Everything... Again. : 10 Years of Rune Grammofon
On January 15th Norway's Rune Grammofon releases their second volume of collected music
journalism, progressive graphic aesthetics and (of course) aural adventures - following some
5 years after the sonic/graphic/conceptual brilliance of the first book/collection:
Link to Rune Grammofon's 'Money Will Ruin Everything I' site
"It´s been a long, long time but finally it´s here. Originally planned as an update and slightly
revised edition of the long deleted 2cd / book of the same name released in 2003 to celebrate
5 years of Rune Grammofon, this has now turned into a completely new and absolutely
gorgeous book, quite simply a must have. Completely redesigned and improved with all new
art from Kim Hiorthøy, more pages, slightly bigger and with 4 different types of paper, it features
graphic works, photos, video stills, used and unused sleeve art, complete discography and more.
The essays on the musical and visual profiles of the label from the first book are included, as is
the original interview Kim did with label founder Rune Kristoffersen in 2003."
As much as Rune here claims the 'superior' quality of of the new audio content in this new edition,
I still feel the original is more diverse. Nonetheless, "Ruin II" is again an essential, incomparable
document of adventurous new musics from Norway and the Scandinavian beyond. Free Jazz,
Folk Noise, Cinematic Ambiance , Rock Jamz, , Modern Classical as Ligeti Revival... Rune has
it all. The stars of their Norwegian roster include the titan-like Supersilent and it's various splinter
groups and off shoots; Humcrush, Deathprod and Arve Henriksen's solo works. Electronic works
by Alog, Skyphone, Svalastog and Phonophani, Vocal Improv by Maja Ratkje and her all-lady
avant group Spunk, blasting Free Jazz by Scorch Trio and Shining, Unclassifiable Improvisation
by Box, Moha! and Jono El Grande and some new territory for Rune; that of more traditional song
musics by Susanna and her Magical Orchestra. Making for hours of Nordic A/V exploration:
Link to Rune Grammofon's 'Money Will Ruin Everything II' site
Labels:
Alog,
Arve Henriksen,
Deathprod,
Kim Hiorthøy,
Maja Ratkje,
Rune Grammofon,
Scorch Trio,
Shining,
Supersilent
Sunday, January 4, 2009
:::: FILMS OF 2008 ::::
TOP FILMS OF 2008 IN NO PARTICULAR ORDER
-------------------------------------------------------
Andrey Zvyagintsev "The Banishment" (Russia)
Pedro Costa "Colossal Youth" (Portugal)
Roy Andersson "You, The Living" (Sweden)
Ari Folman "Waltz with Bashir" (Isreal)
Jia Zhang-Ke "Useless" (China)
Koji Wakamatsu "United Red Army" (Japan)
Gustavo Spolidoro "Still Orangutans" (Brazil)
Lou Ye "Summer Palace" (China)
Aditya Assarat "Wonderful Town" (Thailand)
Pen-Ek Ratanaruang "Ploy" (Thailand)
Carlos Reygadas "Silent Light" (Mexico)
Tomas Alfredson "Let the Right One In" (Sweden)
Patrick Tam "After This, Our Exile" (China)
Frederick Wiseman "34 Documentaries by Frederick Wiseman" -Rereleased (United States)
Apichatpong Weerasethakul "Luminous People / Emerald : Short Films Collection" (Thailand)
Alex Gibney "Taxi to the Dark Side" (United States)
Though not consistent enough to warrant whole-hearted inclusion in the list above, these two films
are deserving of a notable mention. Distinct for both their adherence and inventive deviation from their
respective genre-film traditions, they both, in distinctively differing ways, reinvented pop culture movie
storytelling and brought the audience along on fantastical rides:
Andrew Stanton/Pixar (For the first 35 minutes alone) "Wall-E" (United States)
Matt Reeves (Excluding the last 15 minutes) "Cloverfield" (United States)
Contrary to a lot of the impressions I've read of this past year in cinema, I've seen some of the finest quality
(and quantity) of film this year, in a way that exceeds the past few that I can recollect. All of which, with the
exception of 3 or so, where in the theatre and most of those exclusively in SIFF, not to return for a theatrical
run. Which strikes me as confounding and frustrating that so much good film never found distribution and as a
product, never found its audience.
That said, again this year, the unseen films by a few directors of note that never made it over here
distributed stateside. I suspect a number of these would have made the list, if I actually had a chance
to see them:
Matteo Garrone "Gomorra" (Italy)
Hayou Miyazaki "Ponyo on the Cliff by the Sea" (Japan)
Laurent Cantet "The Class" (France)
Steven Soderbergh "Che" (United States)
Steve McQueen "The Hunger" (United Kingdom)
Jia Zhang-Ke "24 City" (China)
Nuri Bilge Ceylan "Three Monkeys" (Turkey)
Respect and appreciation again go out to the Northwest Film Forum and SIFF (both the festival and the
theatre) for bringing many of these to the states, and making Seattle one of the major cities in the country
for catching the best in global film as an aspect of our urban cultural experience!
:::: ALBUMS OF 2008 ::::
TOP ALBUMS OF 2008 IN NO PARTICULAR ORDER
---------------------------------------------------------
Bernard Parmegiani "L'oeuvre Musicale - Box Set" (INA-GRM)
Anthony Braxton/Milford Graves/William Parker "Beyond Quantum" (Tzadik)
Autechre "Quaristice (Versions)" (Warp UK)
Nine Inch Nails "Ghosts I-IV" (Null Corporation)
Boris "Smile (Japanese Edition)" (DIW phalanx)
Hecker & Haswell/Mika Vanio "Popol Vuh Remix" (Mego)
V/A "Money Will Ruin Everything II" (Rune Grammofon)
Arve Henriksen "Cartography" (ECM)
Zeitkratzer "Electronics - Box Set" (Zeitkratzer)
Coh "Strings" (Raster-Noton)
FM3 "Buddha Machine II" (FM3)
KTL "IV" (Mego)
GAS "Nah Und Fern - Box Set" (Kompakt)
Stephan Mathieu "Radioland" (Die Schachtel)
Birchville Cat Motel "Seventh Ruined Hex" (Important)
Skullflower "Circulus Vitiosus Deus" (Turgid Animal)
Jasper TX "Black Sleep" (Miasmah)
Continuing from the films list above... like cinema, the year in sounds there was the curious repeat theme;
2008 was a year for diggers. Wherein, even 'established' acts like Autechre and Boris released their best work
in editions which were never distributed beyond their country of origin. The Japanese version of Boris' "Smile"
and Autechre's audacious "Quaristice - Special Edition" respectively... and all the while more obscure out-there
sounds continue to be released in editions of 300 (Skullflower) and 1000 (Stephan Mathieu) which in both cases
never reached large portions of their audience before becoming unavailable. So, be glad for mp3 blogs!
Overall again, this was another pretty darn explorative year in sound. There were many works that took the
ears to exciting places that did so in distinct, expressive and adventurous ways. In particular appearing again
in the strange crossroads where Modern Classical, Musique Concrete, Improv, Metal, 'Noise' and academic
Avant traditions all meet. Some of these were even witnessed out in the world in a 3rd Dimension kind of
way, performed live, loud and vital.
TOP LIVE MUSIC SHOWS OF 2008
---------------------------------------
Alva Noto / Frank Breatschnieder / Olaf Bender - SFAI - San Francisco
Boredoms - Neumos - Seattle
Boris - Neumos - Seattle
My Bloody Valentine - Concourse - San Francisco
Asunder - Neumos - Seattle
Autechre - Neumos - Seattle
The Bug - Decibel Fest - Seattle
As an aside, once again this year Dubstep & Grime replaced Hip Hop as my musical candy/junkfood of
choice, offering a nutrition-less but tasty counter to the more brainy culinary type sounds listed above -
and an ideal soundtrack to public transportation in the urban 'scape:
V/A "'Steppas Delight : Dubstep Present & Future" (SoulJazz)
Goth-Trad "Genesis" (SoulJazz)
V/A "Skull Disco : Soundboy's Gravestone Gets Desecrated by Vandals" (Skull Disco)
The Bug "London Zoo" (Ninja Tune)
Plastician "Rinse Mix : Volume 6" (Rinse FM)
Roots Manuva "Slime & Reason" (Big Dada)
V/A "An England Story : From Dancehall to Grime - 25 Years of the MC in the UK" (SoulJazz)
Didn't travel this year to see art openings quite as much as previous years, so those didn't amount
to enough to make a separate list of VISUAL ART, but great exhibits were seen throughout the year at:
SFMoMA
Lawrimore Project
Western Bridge Gallery
Frye Art Museum
Henry Art Gallery
...And lets not forget the most important event in arts / culture / politics here in usamerica this past
year, took place on the night of Nov. 4th!
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