The Criterion Channel Presents 30 Film 1980s Horror Showcase: Oct 1 | Genre Streaming for Cinephiles

Looking online this month for seasonal genre film offerings, Shudder remains the home for horror streaming. Their catalog alone could fill any avid viewer's calendar, and while it is more than a bit hyperbolic, Screenrant isn't too far wrong proposing "How Shudder Is Single-Handedly Keeping 2020 Horror Movies Alive". Don't overlook Shout Factory TV's lineup, and the excellent Arrow Films, and their genre imprint, Arrow Video, have also entered the game in recent years, inviting us to "Join the Cult: The Arrow Video Channel". Annually the online cinema that is Mubi offer up a selection of arthouse and deep cult cinema cuts on their platform spanning October. Such as the Trick or Flick: Halloween Horror showcase found in their Library section. But the true motherload can be found nestled in the bounty of The Criterion Channel's October lineup. Much like their previous 1970s Horror showcase of 2020, this year they dive deep into the explosion of the genre the following decade, with a showcase dedicated to the classic Universal Horror, Japan's kaiju king Ishiro Honda, a set of Vampire films, and a 30 title showcase of 1980s Horror. The latter seemingly taking a cue from Nick Pinkerton's Sight & Sound feature, and their "The Other Side of 80s America" focus on the decade of independent and genre cinema issuing from the United States. Concurrent with the pop culture revelry of Reaganite family-oriented dramas, action, teen movies, and sci-fi blockbusters, a more rebellious and independent strain of US movie making explored the darkness on the edge of mainstream society. Anne Billson's supporting article "A Nightmare on Main Street" plumbs the deeper realms of the decade's more assertively subversive low-to-medium budget genre fare, often “unburdened by notions of good taste". These manic explorations of class conflict, Cold War dread, ecological disaster and suburban paranoia defined a decade of cult film issuing from an era that was transgressive, politically voracious, and boundary-pushing. From the Criterion Channel; “The 1980s were defined by style and excess, and the era’s horror movies were no exception. Innovations in practical effects made the nightmares more vivid than ever, and thanks to the rise of home video, the call was now coming from inside the house. While established talents such as Dario Argento, Werner Herzog, John Carpenter, Tobe Hooper, Lucio Fulci, David Cronenberg, Michael Mann, Ken Russell, and Paul Schrader, brought terrifying spectacles to the screen, often with the help of Hollywood studios, home video opened up a new market that allowed the independents to take the genre to unexpected and—in the case of the UK’s censorship of infamous “Video Nasties”—controversial new heights. Curated by Clyde Folley, this ghastly tour through the decade of greed features ambitious art-pulp hybrids, a Hitchcock-inspired trucker movie, old-fashioned creature features, vampiric outsiders, Japanese punk cinema, astute political commentary, and absolutely unclassifiable cult oddities, bringing together some of the eighties’ most stylish, haunting, and outrageous visions.”

Seattle International Film Festival: May 16 - Jun 9

Seattle International Film Festival once again arrives bringing a spectrum of cinema from across the world. In working through the program, this year continues the decade long diversity dip seen in the per-capita of all things contemporary world cinema, deep genre gems, auteur, arthouse and experimental film. These were content agendas that once had prominence within SIFF, on occasion approaching the programming on offer in Toronto and New York. Those times though, are now decades in the past. That said, it's worth noting that this year's festival isn't as painfully omissive as 2011 or 2010 for that matter. We saw string of years that suggested relief from the lackluster programming described above, which waned a bit in 2012 and expressed a further positive direction in 2013. For the 2014 festival, their 40th Anniversary was celebrated with SIFF's strongest programming in almost a decade, suggesting a renewed vision for the festival. That year marked a trend away from the previously seen glut of middle ground contemporary romances and knowingly clever dramas for the sub-Sundance sect. While still lacking, both 2017 and 2018 saw a nominal return to some of the strength of seasons past. One can speculate that this middle road approach to programming, clearly expressed by the programming of the 2015 festival and 2016 after it, has been conceived to entice some imagined Northwest demographic out of their suburban hobbles and inner-city condos. With the inclusion of showcases in the outlying areas of Bellevue and Kirkland suggestive of such. One can't help but consider these factors alongside the changing economic and cultural landscape of Seattle and what may be SIFF's bid at strengthening ties with it all.

This year sees that same disheartening trend continue, with many of the most notable, and award-winning films from Rotterdam, Locarno, and Berlin, overlooked. We can observe, year in and year out, that Seattle continues to go astray of the high standard of the international festival circuit, embodied by the programming seen in New York, Cannes, Toronto, Vienna, and Venice. Seattle International Film Festival in the past has existed as a focal point of visionary cinema curatorialship, with the resources, funds and legacy to be a hugely influential institution. Annually, looking to San Francisco, Portland, and Vancouver, one bears witness to these institutions programming festivals of a caliber that SIFF has seemingly un-learned. Even our neighbors in the relatively rural setting of the Orcas Island Film Festival are more incisive and discriminating in their assembly of a quality festival. Again this year, SIFF has chosen to bypass opportunities to program scores of notable films featured in culturally correspondent festivals from around the globe. Instead, we see a over-large, and under-curated selection spanning some 400+ entries, markedly devoid of the year's most significant work being screened elsewhere on the international festival circuit.

This shortfall includes (but isn't limited to) Joanna Hogg’s Berlin highlight, “The Souvenir”,  Phuttiphong Aroonpheng's “Manta Ray” from the Rotterdam and Toronto International Film festivals, as well as two pieces of adventurous and stylistically groundbreaking Latin American cinema lauded in the pages of Film Comment and elsewhere, Nelson Carlo de Los Santos Arias' “Cocote”, and Mariano Llinás "La Flor". In the way of politically notable work, there's the second in a series of follow-ups to the most significant holocaust documentary ever made, Claude Lanzmann's "Shoah: Four Sisters", a rarely seen and essentially lost masterpiece of African American cinema, Bill Gunn's "Personal Problems", and a ultra-contemporary satire of the Ukrainian diaspora, found in Sergey Loznitsa's "Donbass". From here the line list broadens to include new Thai cinema from Wisit Sasanatieng in "Reside", Roberto Minervini's highly anticipated "What You Gonna Do When the World's on Fire?", and Chinese auteur Lou Ye's most recent detour into crime drama, "Shadow Play". Also absent are Japanese Independent and arthouse films from, Kôji Fukada in "The Man from the Sea", Ryûsuke Hamaguchi's "Senses 1 - 5", Ishii Yûya's much delayed in the west, "Tokyo Night Sky Is Always the Densest Shade of Blue", and Shinya Tsukamoto's chart-topping, “Killing”. Also missing are the most recent entries from auteurs such as Carlos Reygadas and his "Our Time", Albert Serra's "Roi Soleil", and Lav Diaz' "Season of the Devil". Not that you would know it by looking at the SIFF lineup, but the French provocateur Bruno Dumont has returned with a new entry in his “Quinquin” series, "Coincoin and the Extra-Humans".

Strangely absent are a set of mainland Chinese and Taiwanese film festival highlights from Locarno and Berlin, which include Xiaoshuai Wang's "So Long, My Son", Xu Bing's experimental "Dragonfly Eyes", Siew Hua Yeo's “A Land Imagined", and Tsai Ming-Liang's "Your Face". Japanese horror and thriller maestro Kiyoshi Kurosawa returned with another unsettling and exercise "Foreboding", and the increasingly absurdist Sion Sono did as the title describes in "Tokyo Vampire Hotel”. From here this overview of the absent becomes a who's-who of international film figures, all with new and recent works, including in their numbers; Michael Koresky's "Feast of the Epiphany", Wang Bing's "Beauty Lives in Freedom", Erick Stoll & Chase Whiteside's "America", Corneliu Porumboiu's "Infinite Football", Gürcan Keltek's "Meteors", Virgil Vernier's "Sophia Antipolis", Yui Kiyohara's "Our House", Renée Nader Messora & João Salaviza's "The Dead and the Others", Shûichi Okita's "Mori, the Artist's Habitat", Fatih Akin's "The Golden Glove", Shô Miyake's "And Your Bird Can Sing", Nadav Lapid's "Synonyms", François Ozon's "By the Grace of God", Agnieszka Holland's "Mr. Jones", Shengze Zhu's "Present.Perfect.", Naomi Kawase's “Vision”, Xavier Dolan's “The Death and Life of John F. Donovan”, Paul Dano's “Wildlife”, Paolo Sorrentino's “Loro”, and Emir Baigazin's “The River“.

Yet there remain a small handful of legitimate, original, well crafted films to be found in here too. Largely culled from the Contemporary World Cinema, Archival Presentations, Alternate Cinema, Documentary Films, and Asian Crossroads sections. This year I was able to generate a little more than a dozen films of interest, curiosity or critical gravitas from the program of more than 400 titles. These run the spectrum from directors of note, archival restorations and new developing artists. As a consequence the majority of the films listed below are simply films of interest, rather than essential viewing. Making SIFF 2019 one of the least compelling programs in recent memory. Nonetheless, I continue to be enthused about their home at the SIFF Cinema Uptown and expanded screens between the recently acquired SIFF Cinema Egyptian and Film Center. Their curation for these year-round venues has exhibited the scope of SIFF, with a visionary course forward for the institution once exemplified in the short-lived Recent Raves series. Tellingly, this series was discontinued in 2015.

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Saturday, May 18
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3:30 PM -  Ying Liang  "A Family Tour"
Lincoln Square Cinemas
FAMI1819

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=50411

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Saturday, May 18
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6:00 PM -  Jafar Panahi  "3 Faces"
Lincoln Square
3FAC1819

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=50402

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Sunday, May 19
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7:30 PM - Denis Côté  "Ghost Town Anthology"
SIFF Cinema Uptown
GHOS1919

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=50553

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Monday, May 20
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7:00 PM - Jennifer Baichwal, Nicholas de Pencier & Edward Burtynsky "Anthropocene: The Human Epoch"
AMC Pacific Place 11
ANTH2019

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=50439

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Monday, May 20
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9:30 PM -  Camille Vidal-Naquet  "Sauvage"
SIFF Cinema Uptown
SAUV2019

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=50735

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Wednesday, May 22
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6:30 PM -  Louis Garrel  "A Faithful Man"
SIFF Cinema Uptown
FAIT2219

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=50409

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Wednesday, May 22
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9:15 PM -  Adina Pintilie  "Touch Me Not"
SIFF Cinema Uptown
TOUC2219

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=50877

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Thursday, May 23
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9:30 PM -  Jennifer Kent  "The Nightingale"
SIFF Cinema Uptown
NIGH1819

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=50841

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Wednesday, May 29
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6:30 PM -  Stanley Nelson  "Miles Davis: Birth of the Cool"
SIFF Cinema Egyptian
MILE2919

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=50646

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Wednesday, May 29
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9:00 PM - Aditya Assarat, Wisit Sasanatieng, Chulayarnnon Siriphol & Apichatpong Weerasethakul "Ten Years Thailand"
SIFF Cinema Uptown
TENY2919

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=50785

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Thursday, May 30
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7:00 PM - Werner Herzog "Meeting Gorbachev"
SIFF Cinema Uptown
MEET3019

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=50634

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Friday, May 31
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9:15 PM -  Peter Strickland  "In Fabric"
SIFF Cinema Egyptian
INFA3119

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=51207

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Saturday, June 01
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9:00 PM -  Claudio Giovannesi  "Piranhas"
SIFF Cinema Uptown
PIRA0119

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=50705

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Sunday, June 02
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9:00 PM - Macoto Tezuka "The Legend of the Stardust Brothers"
SIFF Cinema Egyptian
LEGE0219

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=50828

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Monday, June 03
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6:30 PM -  Emilio Fernandez  "Enamorada"
SIFF Cinema Uptown
ENAM0319

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=50517

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Tuesday, June 04
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7:00 PM -  Olivier Assayas  "Non-Fiction"
AMC Pacific Place 11
NONF0419

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=50670

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Friday, June 07
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6:30 PM - Ho Wi Ding  "Cities of Last Things"
SIFF Cinema Uptown
CITI0719

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=50481

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Saturday, June 08
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6:00 PM -  Jim Jarmusch  "The Dead Don't Die"
SIFF Cinema Uptown
DEAD0608A

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=51242

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Saturday, June 08
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7:00 PM -  Alexandre O. Philippe  "MEMORY: The Origins of Alien"
SIFF Cinema Egyptian
MEMO0819

https://myaccount.siff.net/tickets/buy.aspx?fid=354&id=50636

Seattle International Film Festival: May 19 - Jun 12

Seattle International Film Festival once again arrives bringing a spectrum of cinema from across the world! This year like the string of years since 2008, the festival sees a qualitative diversity dip in the percentage of all things foreign cinema, auteur, arthouse, experimental and progressive. These were content agendas that once had prominence within SIFF, making it a festival that approached the per-capita in these areas of Toronto and New York. Those times are now decades in the past. That said, this year's festival isn't as painfully omissive as 2011 or 2010 for that matter. We saw string of years that suggested relief from the lackluster programming described above which waned a bit in 2012 and a further positive trend in that direction in 2013. For the 2014 festival, their 40th Anniversary was celebrated with SIFF's strongest programming in almost a decade, suggesting a renewed vision for the festival. Nonetheless this year, like 2015, we're again seeing that same glut of middle ground contemporary romances and knowingly clever dramas for the sub-Sundance sect. One can speculate that this middle-road approach to programming has been taken to entice some imagined Northwest demographic out of their suburban hobbles and inner-city condos. The inclusion of showcases in the outlying areas of Bellevue, Kirkland and Renton are indicative of such. One can't help but consider these factors alongside the changing economic and cultural landscape of Seattle and what may be SIFF's bid at strengthening financial ties with it all.

By way of example, two west coast festivals that have produced smaller, yet significantly more qualitative festivals have established a standard that can clearly be seen from year to year. The San Francisco International Film Festival concluding just this week features not only a diverse body of work, ranging from commercial entertainment to the experimental, embracing both award winning auteur works, genre film and potential indie breakouts. A cross section of the programming can be seen in their selection of new historic documentary by Sergey Loznitsa "The Event" and the superior of last year's two haunting dramas by Kiyoshi Kurosawa "Journey to the Shore". Yorgos Lanthimos Jury Prize winning film "The Lobster", a decidedly "Kafka-esque Meditation on Romance and Estrangement" premiered at Cannes a year ago now and will have a brief run at Sundance Cinema along with Matteo Garrone's adaptation of Giambattista Basile's bawdy Neopolitan "Tale of Tales", adding some "Grown-Up Twists to the Fairy Tale". The festival also hosted what from the outset appears a traditional melodrama by Ryusuke Hamaguchi, "Happy Hour", belies a deeper core deserving of it's Film Comment mention in their Best Cinema from Asia feature. This year's SFIFF also saw Christopher Doyle's "Hong Kong Trilogy" and Lewis Klahr's cinematic archeology of the American unconscious, his "66" employing the unlikeliest of tools in it's telling of mass culture as myth. Happily there is some shared programming between the festivals. Zhang Yang's most recent "Paths of the Soul", Wener Herzog's much anticipated "Lo and Behold: Reveries of the Connected World" and Vitaly Mansky's documentary on the fashioning of a North Korean family of "model citizens", all grace Seattle as well. Other highlights screening outside of the festival in the coming weeks include the Freudian psychedelia of Eiichi Yamamoto's "Belladonna of Sadness" and another of Naome Kawase's hushed familial melodramas, "Sweet Bean".

Screening in SFIFF and outside of the festival at SIFF Cinema, Ben Wheatley's adaptation of JG Ballard's "High-Rise" is ostensibly the most promising thing both festivals share in their programming this month. The Guardian's film of the week review going some way to how it is that the challenges of "High-Rise Takes Dystopian Science Fiction to a New Level". In a fashion, "The Nightmare of JG Ballard's Towering Vision" even proved daunting to the unmade Nicolas Roeg production of the late 1970s. Our neighboring city to the south, though smaller in scale and less urban in some sense, has a strong showing in their Portland International Film Festival again this year. It should be established that with each of them concluding some time before, the content of in each of these festivals was made available to the programming directors at SIFF. They simply made choices otherwise. Which begs the question, what kind of thinking is behind choosing to not program something like the pathos of an Otaku's transformation seen in Masaharu Take's "100 Yen Love"? Or Gabriel Ripstein's Best First Feature award-winner, "600 Miles" from this year's Berlin International Film Festival? Other global festival highlights featured in PIFF, include Jacques Audiard's Palme d'Or winning "Dheepan" and Nanni Moretti's "Mia Madre". With some unexpected surprises like Keiichi Hara's animated period feature, "Miss Hokusai" and another Cannes award winner in Ida Panahandeh's "Nahid". Portland also saw Patricio Guzmán's most recent meditation on the colonization of Chile, "The Pearl Button", festival favorite Hong Sang-Soo's "Right Now, Wrong Then" and Ben Rivers' epic, experimental merging of documentary and fable, "The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers". All of which are absent from this year's programming in Seattle.

Seattle International Film Festival in the past has existed as a focal point of visionary cinema curatorialship, with the resources, funds and legacy to be a hugely influential institution. From the above one can can adduce San Francisco and Portland producing festivals of a caliber that SIFF has seemingly un-learned as they continue to go astray of the standard of the international festival circuit embodied by New York, Cannes, Toronto, Rotterdam, Vienna, Venice, Berlin and Locarno. But there remain a handful of legitimate, original, well crafted cinema to be found in here too. Largely culled from the Contemporary World Cinema, Archival Presentations, Alternate Cinema, Documentary Films, Midnight Adrenaline, Catalyst, and New Directors sections, this year I found some approximate 20 or so films of interest, curiosity or gravitas that I plan to attend. These run the spectrum from directors of note, archival restorations and new developing artists. As a consequence the majority of the titles listed below are simply films of curiosity, rather than considered essential viewing. Not the least compelling year in recent memory, but not approaching the par established with SIFF's own stellar run spanning the decades of 1987-2007. It must also be said, this year's SIFFX sidebar does little in the way of compensating for these programming oversights. Nonetheless, I continue to be enthused about their home at the SIFF Cinema Uptown and expanded screens between the recently acquired SIFF Cinema Egyptian and Film Center. Their curation for these year-round venues has exhibited the scope of SIFF, with this year's Recent Raves series exemplifying a visionary path forward for the institution. Unfortunately the 42nd Seattle International Film Festival doesn't continue this high standard.

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Tuesday, May 17

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7:00 PM - Ben Wheatley "High-Rise"

SIFF Cinema Uptown
HIGH0517B

http://myaccount.siff.net/cinema/reserve.aspx?fid=261&id=34443

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Friday, May 20
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4:00 PM - Terence Davies "Sunset Song"
SIFF Cinema Egyptian
SUNS0520

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33757

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Friday, May 20
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6:00 PM - Hirokazu Kore-eda "Our Little Sister"
SIFF Cinema Uptown
OURL0520

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33612

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Saturday, May 21

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4:00 PM - Eiichi Yamamoto "Belladonna of Sadness"

Northwest Film Forum

http://nwfilmforum.org/live/page/calendar/3914

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Saturday, May 21
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6:30 PM - James Schamus "Indignation"
AMC Pacific Place 11
INDI0521

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33844

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Saturday, May 21
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9:00 PM - Mauro Herce "Dead Slow Ahead"
SIFF Film Center
DEAD0521

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=34075

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Sunday, May 22
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1:30 PM - Douglas Sirk "A Scandal in Paris"
AMC Pacific Place 11
SCAN0522

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33618

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Sunday, May 22
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9:00 PM - Bence Fliegauf "Lily Lane"
SIFF Cinema Egyptian
LILY0522

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33769

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Monday, May 23
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3:30 PM - Yaelle Kayam "Mountain"
SIFF Cinema Uptown
MOU0523

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33697

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Monday, May 23

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7:50 PM - Matteo Garrone "Tale of Tales"
Sundance Cinema

https://www.sundancecinemas.com/coming_soon.html

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Tuesday, May 24
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7:00 PM - Orson Welles "Chimes at Midnight"
SIFF Cinema Egyptian
CHIM0524

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33772

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Wednesday, May 25
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6:00 PM - Helen Walsh "The Violators"
SIFF Cinema Uptown
VIOL0525

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33919

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Thursday, May 26
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3:00 PM - Shunji Iwai "A Bride for Rip Van Winkle"
SIFF Cinema Egyptian
BRID0526

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33776

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Thursday, May 26
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9:30 PM - Marcin Wrona "Demon"
SIFF Cinema Uptown
DEMO0526

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33558

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Friday, May 27
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4:00 PM - Zhang Yang "Paths of the Soul"
SIFF Cinema Uptown
PATH0527

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33559

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Friday, May 27
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9:00 PM - Marta Minorowicz "Zud"
SIFF Cinema Uptown
ZUDD0527

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33704

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Saturday, May 28
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11:00 AM - Ernst Lubitsch "Heaven Can Wait"
SIFF Cinema Egyptian
HEAV0528

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33783

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Sunday, May 29
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3:30 PM - Ti West "In a Valley of Violence"
Lincoln Square Cinemas
INAV0529

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33793

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Sunday, May 29
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9:30 PM - Lucile Hadžihalilović "Evolution"
SIFF Cinema Uptown
EVOL0529

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33638

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Monday, May 30
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7:10 PM - Yorgos Lanthimos "The Lobster"
Sundance Cinema

https://www.sundancecinemas.com/coming_soon.html

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Tuesday, May 31
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6:00 PM - Naotaro Endo "Tsukiji Wonderland"
SIFF Cinema Uptown
TSUK0531

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33646

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Wednesday, June 01
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9:15 PM - Vitaly Mansky "Under the Sun"
SIFF Cinema Uptown
UNDER0601

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33722

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Thursday, June 2
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8:15 PM - Naome Kawase "Sweet Bean"
Northwest Film Forum

http://nwfilmforum.org/live/page/calendar/3972

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Friday, June 03
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9:30 PM - Jaco Van Dormael "The Brand New Testament"
SIFF Cinema Egyptian
BRAN0603

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33808

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Saturday, June 04
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2:00 PM - Fernando Ayala "The Bitter Stems"
SIFF Cinema Egyptian
BITT0604

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33812

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Saturday, June 04
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8:00 PM - Werner Herzog "Lo and Behold, Reveries of the Connected World"
SIFF Cinema Uptown
LOAN0604

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33578

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Sunday, June 05
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2:30 PM - Ferdinando Cito Filomarino "Antonia"
SIFF Cinema Uptown
ANTO0605

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33734

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Sunday, June 05
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8:30 PM - Małgorzata Szumowska "Body"
SIFF Cinema Uptown
BODY0605

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33547

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Monday, June 06
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7:00 PM - Sylvia Chang "Murmur of the Hearts"
SIFF Cinema Uptown
MURM0606

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33588

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Monday, June 06
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9:30 PM - José Luis Guerin "The Academy of Muses"
AMC Pacific Place 11
ACAD0606

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33908

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Tuesday, June 07
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9:30 PM - Sion Sono "Tag"
SIFF Cinema Uptown
TAGG0607

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33592

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Wednesday, June 08
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7:00 PM - King Hu "Dragon Inn"
SIFF Cinema Egyptian
DRAG0607

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33820

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Thursday, June 09
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3:00 PM - Jia Zhang-ke "Mountains May Depart"
SIFF Cinema Uptown
MOUNT0609

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33826

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Thursday, June 09
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7:00 PM - André Téchiné and Céline Sciamma "Being 17"
SIFF Cinema Egyptian
BEIN0609

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33827

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Friday, June 10
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7:00 PM - Mark Cousins "I am Belfast"
SIFF Film Center
IAMB0610

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=34084

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Saturday, June 11
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8:45 PM - Kiyoshi Kurosawa "Creepy"
SIFF Cinema Egyptian
CREE0611

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33833

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Sunday, June 12
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4:30 PM - Gilles Legrand "The Scent of Mandarin"
SIFF Cinema Egyptian
SCEN0612

http://myaccount.siff.net/cinema/reserve.aspx?fid=346&id=33836