Showing posts with label The Sight Below. Show all posts
Showing posts with label The Sight Below. Show all posts
Sunday, June 23, 2013
Substrata 1.3: Sound & Media Festival: Jul 18 - 21
For the third year in a row, Seattle plays host to this literally exceptional, now expanded four day mini-festival (three nights of performances, an afternoon lecture with composer Christina Vantzou on “Exploratory Conducting Methods and Graphic Notation” and fourth day "Subtle Listening" field recording workshop and hike conducted by composer and programmer, Kim Cascone) of precisely curated sounds by Rafael Anton Irisarri. Sounds spanning from the 'heavy' end (being the Sub in question) of the ambient, neoclassical, immersive, psychedelic and all things avant-garde, in the intimate setting of the Chapel Performance Space with a explicit audience in attendance (no loud rock bar, and hangers-on here) and a dedicated sound engineer. Exactly as a festival of these sounds, with the corresponding audience and venue should be curated, hosted and assembled. Substrata also bringing together in their annual catalog associated aesthetics, visual art, theory and photography. Check that lineup: Jacaszek - Grouper - Christina Vantzou - Kim Cascone - Noveller - Yagya - Ethernet - The Sight Below - Ken Camden - Sean Curley - Anticipating this year's festival will be equally memorable as the last!
From the Substrata site: "Substrata 1.3 is the 3rd edition of Seattle’s intimate sound & visual art weekend happening July 18 – 21, 2013. At its nucleus: an all-ages live performance program, workshop, and field recording trip within the beautiful Cascade region of the Pacific Northwest. The idea behind Substrata is to explore varying perspectives of scale though the use of sound, composition and visuals. It features three live performance showcases featuring accomplished and internationally renowned artists working within the cutting edge where structural abstraction meets physical dynamics. The performance program focuses on live electronic music: applying technology to a concert setting while incorporating traditional and non-traditional instruments. The workshop explores dilemmas within the sound arts community; the field trip engages participants and performing artists in deep listening exercises and mobile recording on site. Our goal is to create an immersive weekend experience that engages the audience in a dialog with the artists that goes beyond the constrains of traditional performer/listener interactions. Each showcase is curated to distinctly portrait different takes of the potency of minimalism, varying between weighty combinations of tonalities used to sculpt out atmospheric ambiance, or powerful dynamic structures made up of the subtlest filigree of sonic building materials. By creating compositional spaces dealing with a sense of mass, along with openness of structure, the perspective of scale and the listener’s place in relation is shifted to allow for greater a sense of place beyond the environ of the performance in the interplay of the moment and physics of the larger world. In all, Substrata is an event that fosters appreciation for our natural surroundings and creates meaningful interaction between artists/participants while exploring a new locality. As the name substrata implies, it is about subtle aesthetics that go beneath the surface and into deeper aural territories."
Sunday, February 28, 2010
Skull Disco's Shackleton, The Sight Below & Daega Sound at Nectar Lounge : March 5
Skull Disco label maven and post(?)-Dubstep producer extraordinaire Shakleton plays a rare West Coast live set
here in Seattle after reports of him stunning audiences at Mutek Montreal last year. Of particular interest to my
person; Rafael Anton Irrisari will be opening in his The Sight Below moniker promising a Chain Reaction/Basic
Channel inspired set of Dub Techno and the opening act of Daega Sound spinning select and VIP Dubstep cuts.
Shackleton's characteristic mix of ethnic hand-drums, 90's style ambient gloom, radio noise and vocal snippets,
massive basslines and some of the sparsest production heard in the post-Techno world are a heady mix. The
austerity of his arrangements opens space around the various elements creating an aural vacuum that the
booming percussive detonation resonate within, shocking the head and body as the higher-end percussive
details ride over in a speeding pseudo-psychedelic blur. This is complex, abstract stuff for the dance music
world, but simultaneously engaging to the body in the way the very best 'techno' is. My only hope/concern
for this night is if the soundsystem at Nectar is up to the task! One for the dance music community (and
anyone interested in the further extremes of BASS) not to miss!
Link to official Skull Disco label site
Link to Decibel Festival event site
Link to The Wire's "From Rave to the Grave" Shackleton/Skull Disco article
Sunday, August 23, 2009
Decibel Festival of Electronic Music : Sept 24 - 27
Now in it's sixth year, Seatte's Decibel Festival of electronic music and media is back
with an even more audacious and expanded lineup. Second in the U.S. only to Detroit's
DEMF as far as scope and scale, Decibel seeks to be a showcase for all things electronic,
regardless of genre in the most progressive, inclusive sense. Again this year, featuring
showcases curating genre and stylistic themes that introduce new forms to a larger
audience and redefine existing ones. Showcases of note include the three 'Optical' audio
-visual showcases featuring ambient, neoclassical and experimental musics, the two 'Decibel
in Dub' showcases of newdub, dubstep and electronic dub mutations, 'Decibel in the Park' at
Capitol Hill's beautiful Volunteer Park, 'Bass Lovers Unite' showcase of heavy-end dancefloor
Bass exploration and a opening gala Ghostly Records showcase to start the festival off right.
Highlights of the individual artists gracing Seattle for the festival include dancefloor mavens
Robert Hood, Alter Ego and Wighnomy Bros., splendorous ambient soundscapes from
Mountains, Sawako, Goldmund, The Sight Below, Frank Bretschneider and William
Fowler-Collins, nocturnal urban rhythms from Dubstep producers Benga, Pinch, Martyn
and Mala, grandious techno-dub hybrids from Echospace, Boxcutter, DJ/Rupture and
Move D along with nearly innumerable others, in various genres and styles, from the dance
-floor to the seated theatre, through the course of this four day, over 100-artist festival.
Check the Decibel site for full artist listings, bios and showcase descriptions and times.
Previous years have seen showcases at capacity (or even sell out the night of), so
purchase in advance for festival passes and individual showcase tickets is often:
Link to Decibel 'Optical' showcase site
Link to 'Decibel in Dub' showcase site
Link to 'Decibel in the Park' site
Link to Decibel 'Bass Lovers Unite' showcase site
Link to Decibel 'Ghostly Records' showcase site
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