Noir City Festival: Dark City Dames: The Wicked Women of Film Noir: Feb 14 - 20

This year's edition of the annual festival thematically curated as, Noir City: The Wicked Women of Film Noir finds Eddie Muller and the Film Noir Foundation returning to Seattle, at the gloriously high definition venue of the Seattle Cinerama. The 18 film iteration, 12 of which will be on celluloid, follows the savvy protagonists, streetwise antagonists, and the often calamitous enticements of cinemas femme fatales. Which have been richly chronicled in Muller's ”Dark City Dames: The Wicked Women of Film Noir”, to be published in a new expanded edition this April. This marks the fourth installment since returning from a pandemic hiatus with the Noir City: 15th Anniversary Edition, and Noir City: Dark City in 2022, the latter inspired by Muller's bestselling book "Dark City: The Lost World of Film Noir". At the time of the newly expanded publishing of the book, Muller spoke with NPR's Terry Gross, plumbing the genre's "Celebration of Cinema's Double Crosses and Doomed Characters" that populate "The Lost World of Film Noir". Previous to the hiatus, the festival presented Noir City: International Edition II, which continued the programming last seen in the first of the Noir City: International Editions, with geographically framed sets and quartets of films originating from far flung corners of the world. On other occasions, the program has been focused thematically, such as the year that featured Noir City: The Big Knockover - Heists, Holdups and Schemes Gone Awry, and just last year a new spin on the international edition was assembled with, Noir City declaring Darkness Has No Borders.

Earlier editions such as the Noir City: Film Noir in The 1950s program which tracked the beginning of the decline of the American studio system, and into a fresh cinematic landscape where the genre was to be refashioned, both subtly and radically, for a new generation. Other iterations have been formatted in a Film Noir from A to B presentation involving "A" and "B" film double bills, in both low budget and high production value features. Outside of the annual festival, in 2018 Muller took up permanent residence on TCM with the launch of his Saturday night Noir Alley showcase. Now in its ninth year, his show has become a central component of how "Turner Classic Movies Is Changing. And Trying to Stay the Same", yet the venerable platform has been under fire from its larger corporate umbrella. In 2023, Warner Brothers Discovery gutted the leadership team of Turner Classic Movies, following which, a group of famed directors then came together to "Fight to Save Turner Classic Movies". This resulted in a surprising reversal, in which, "TCM to Include Steven Spielberg, Martin Scorsese and Paul Thomas Anderson Taking Active Role". Muller's weekly selections and introductions on Noir Alley act as more than just a showcase for the Film Noir Foundation and their partners at The UCLA Film & Television Archive, but instead a global overview of the social concerns, look, sound, aesthetic, and feel that define the Dark Passages of film noir.

Noir City Festival: 15th Anniversary Edition at SIFF Cinema: Feb 10 - 16

Returning after a multi-year hiatus due to the conditions of the pandemic, Eddie Muller and the Film Noir Foundation were reinstated at Seattle's historic Egyptian Theatre last year with a substantial Noir City program inspired by his bestselling book "Dark City: The Lost World of Film Noir". Reprinted in a newly expanded edition, Muller spoke at-length about his book with NPR's Terry Gross, plumbing the genre's "Celebration of Cinema's Double Crosses and Doomed Characters", that populate "The Lost World of Film Noir". The previous edition of the festival Noir City: International Edition II, some two years before, continued the programming last seen in the first of the Noir City: International Editions, with geographically framed sets and quartets of films originating from far flung corners of the world. Earlier editions such as the Noir City: Film Noir in The 1950s program which tracked the beginning of the decline of the American studio system, and into a fresh cinematic landscape where the genre was to be refashioned, both subtly and radically, for a new generation. Other iterations have been formatted in a Film Noir from A to B presentation involving "A" and "B" film double bills, in both low budget and high production value features. On other occasions, the program has been focused thematically, such as the year that featured Noir City: The Big Knockover - Heists, Holdups and Schemes Gone Awry. Outside of the annual Noir City Festival, this decade inaugurated Muller's new permanent residence on TCM with the launch of his Saturday night Noir Alley showcase. Muller and his show have become a central component of how "Turner Classic Movies Is Changing. And Trying to Stay the Same." His weekly selections and introductions act as more than just a showcase for the Film Noir Foundation and their partners at The UCLA Film & Television Archive, but instead a global overview of the social concerns, look, sound, aesthetic, and feel that define the Dark Passages of film noir. This year's Noir City program follows suit with a lineup of 18 films from the very heart of Hollywood's noir movement, the year 1948. Spanning classics, rarities, A-list films and solid B-movies, all of the films in the lineup will be celebrating their 75th anniversary, with entries from Nicholas Ray, John Huston, Orson Welles, Preston Sturges, Anthony Mann, Robert Siodmak, Henry Hathaway, Douglas Sirk, John Farrow, Irving Reis, and Jules Dassin, among others.