Showing posts with label SFMoMA. Show all posts
Showing posts with label SFMoMA. Show all posts

Sunday, May 3, 2020

Seattle Art Fair: 2020 Edition Cancellation | ArtsFund and Artist Trust Emergency Relief & GiveBig Washington A Call for Support: May 5 - 6


This is a year of unprecedented cancellations and postponements among the spectrum of global art fair events. Where once, "Art Biennials Were Testing Grounds. Now They Are Being Tested". For a self-apparent set of reasons, major shows like Art Basel Hong Kong, Art Basel Switzerland, Art Brussels, Art Paris, Art Cologne, Dallas Art Fair, Prospect New Orleans Triennial, Arte Buenos Aires, Bienal de São Paulo, and Frieze New York have been postponed until later dates or outright cancelled. In the case of Frieze New York, there being a small consolation offered with the launching of a "virtual gallery" opening May 8th featuring more than 200 galleries presenting major works by established and emerging artists. Our own Seattle Art Fair hasn't fared quite as well, facing simply a full-scale cancellation until next year's installment. These all in relation of course to the financial and cultural fallout of the pandemic, creating dire funding and sustainability questions for large and small arts institutions alike. Situations like, "MoMA and New Museum Among NY Institutions Cutting Jobs to Curb Deficits", "SFMoMA to Lay Off or Furlough More Than Three Hundred Employees", "Furloughs and Job Cuts Hit The Broad", "Mass Layoffs at Lincoln Center", "MoMA PS1 Facing its ‘Most Serious Financial Crisis’ Ever", "Guggenheim Museum Projecting $10 M. Shortfall", "New York’s Whitney Museum Expecting $7 M. Shortfall", "After Losing $19 M., Brooklyn Museum Joins other Arts Organizations in Applying for Federal Aid", aren't the exception, but instead the norm. In response, hundreds of galleries, nonprofits, arts and cultural institutions in New York alone have banded together to "Petition NYC to Aid Galleries Amid Covid-19 Pandemic", all the while, "Mayor de Blasio’s Budget for 2021 Significantly Cuts NYC’s Arts Funding". A small gesture of relief is the development of the, "Museum Association Eases Rules on How Institutions Can Use Funds Amid Covid-19 Pandemic", which will aid cultural institutions have have applied for and received federal assistance to apply these essential funds to their specific state-by-state contextual particulars.

There's also the philanthropic work of efforts like the ArtistRelief grant, which to-date has worked to generate funds for creators and artists specifically. With galleries, museums, and programmed shows now cancelled, this "Covid-19 Relief Fund to Give $10 Million to Artists" will be the only revenue that many artists receive. Returning to regional concerns, while Paul Allen's Vulcan, the parent company of the Vulcan Arts + Entertainment and Seattle Art Fair will likely weather this period, many of our other local arts institutions will not. The pandemic’s ensuing economic and cultural shutdown has created a revenue abyss for these institutions which exist on a precipice of funding even during good times. Seattle ArtsFund have created the COVID-19 Arts Emergency Relief Fund, and alongside the Artist Trust relief fund, they have generated millions in response. These factors also make this year's annual nonprofit GiveBig donation days, spanning May 5th to 6th, of the highest significance. Widely recognized and essential cultural institutions like Seattle Symphony, Frye Art Museum, Scarecrow Video, Earshot Jazz, SIFF, Seattle Art Museum, Seattle Theatre Group, Henry Art Gallery, regional smaller cinemas and nonprofit music venues like The Grand Illusion Cinema, Northwest Film Forum, On The Boards, The Vera Project, and Nonsequitur, are all in need. Or consider giving directly to the gallerists and artists under the Vital 5 Productions umbrella and their work toward some of the most notable and aspirant reconceptions of arts exhibition, funding, and urban spaces for work, to be found around the city in the last decade. These are just a few institutions to consider among countless others, too multitudinous to name, who will be in need of your generosity regardless of the particulars. Your outward financial appreciation of the value of these spaces will be bolstered in many cases through shared GiveBig donation matching. Amid the "Frantic Fundraising, Relief that Can’t Meet Demand: Artists and Arts Groups Scramble Amid Coronavirus Crisis", if you are able, make this week a contextual framing for essential giving. Photo credit: Gagosian Gallery

Wednesday, January 2, 2008

:::: VISUAL ART OF 2007 ::::


HERE ARE MY TOP RATED VISUAL ART SHOWS ATTENDED OF 2007
-----------------------------------------------------------------------------

Olafur Eliasson "Take Your Time" (SFMOMA)
Neo Rauch/Tilo Baumgärtel/David Schnell "Life After Death: New Leipzig Paintings" (Frye Art-Seattle)
Louise Bourgeois "Bourgeois in Boston" (ICA-Boston)
Felix Schramm "New Work: Misfit" (MOMA)
Tivon Rice "Resolution/Apotheosis" (Lawrimore Project-Seattle)
Bruce Nauman "Elusive Signs" (Henry Art-Seattle)
Christian Marclay/Various "Kit Bashing" (Western Bridge Gallery-Seattle)

A number of memorable shows this year. Wishing there had been travel and opportunity to catch more, in particular
some significant shows in the eastside, namely the Dada Retrospective at MOMA NY, Matta-Clark at the Whitney and
the Takashi Murakami exhibition at MOCA along with a handful of others that were missed due to geography and
economics this year. Here's hoping for seeing more art out in the cities of the world in 2008!

Sunday, September 16, 2007

Olafur Eliasson, Felix Schramm, McCall & Knoebel - New Exhibitions currently at SFMoMA


Quality and varied series of exhibitions currently on display a SF MoMA. All involving different
takes on the perception/experience of the viewers relation to physicality vs. intangibility -
explored in space, architecture, light and texture. From the abstraction and immersive glow
of light from the Olafur Eliasson, to the laser-like perception altering qualities of the McCall/
Knoebel, to the physicality of the architectural collisions between host-space and installation
of the Schramm. Not since the Gerhard Richter "Forty Years of Painting" exhibit of 2003
have I had such a complete, richly stimulating, thoroughly inspired day at the museum.
I have many and much in the way of words to say concerning these exhibitions, and the
memorable experience had seeing/engaging with them last week - but I'm going to leave
all the wordage this time to SF MoMA:

OLAFUR ELIASSON

Link to SF MoMA "Take Your Time: Olafur Eliasson" site

"Widely heralded as one of the most important artists of his generation, Olafur Eliasson nimbly
merges art, science, and natural phenomena to create extraordinary multisensory experiences.
Challenging the passive nature of traditional art-viewing, he engages the observer as an active
participant, using tangible elements such as temperature, moisture, aroma, and light to generate
physical sensations. The works assembled for this presentation — the first U.S. survey of this
Icelandic artist's oeuvre — date from 1993 to the present and reflect all facets of his creative
practice. Encompassing sculpture, photography, and large-scale immersive installations —
including a newly commissioned kaleidoscopic tunnel that envelops the Museum's steel
truss bridge — these projects are intentionally simple in construction but thrilling to behold,
sparking profound, visceral reactions designed to heighten one's experience of the everyday."

FELIX SCHRAMM

Link to SF MoMA "New Work: Felix Schramm" site

"German artist Felix Schramm creates the illusion of architecture gone awry. Made from drywall,
paint, steel frames, and wood, his site-specific installations resemble the aftermath of disaster
inside the gallery, where the delineations between the work and the institution's architecture are
difficult to discern. His twisted, splintered fragments of structural forms — walls, ceilings, floors
— burst from the building's framework at dramatic angles, producing large-scale works that seem
at once threatening and fragile. For his installment in SFMOMA's ongoing New Work series, Schramm
presents a new piece that continues his pursuit of achieving balance between chaos and order, the
particular and the universal, and offers visitors an experience of physical tension in the Museum's gallery."

MCCALL and KNOEBEL

Link to SF MoMA "Project, Transform, Erase: McCall and Knoebel" site

"Anthony McCall and Imi Knoebel both have used deceptively simple projections with strikingly complex
effects. You and I, Horizontal (2005), a digital projection — and recent SFMOMA acquisition — by McCall,
draws on his 1970s-era solid-light film installations to create an engaging experience of light as a three
-dimensional beam and wall animation. Projektion X (1971-72) and Projektion X Remake (2005), two
versions of the same video concept by Knoebel, each feature a continuous stream of nighttime
streetscapes, illuminated only by a powerful X-shaped beam of light."